In Bed With is a speculative installation based on archival fragments about Santiago Álvarez’s film NOW! (1965) and its reception and political circulation in West Berlin in the 1960s.
NOW! is an agitational montage film composed of found newsreel footage of the U.S. Civil Rights Movement, edited to Lena Horne’s song “Now.” One of the few surviving copies is preserved in the archive of Arsenal – Institute for Film and Video Art in Berlin. While researching its presence there, we came across an anecdote: during a visit to West Berlin in 1965, Álvarez handed several of his short films to the Socialist German Student Union (SDS), at the time led by Rudi Dutschke, for use in political screenings. Two years later, he reportedly asked the Freunde der Deutschen Kinemathek to retrieve the reels from underneath Dutschke’s bed so they could be preserved and kept in circulation.
The installation invites visitors to lie in a replica of Dutschke’s bed (Vereinigte Möbelwerke Magdeburg, model “Angela”) and speculate about what else might have been hidden beneath it. Above the bed hangs a banner used in screenings of La hora de los hornos (1968) reading: “Every spectator is either a coward or a traitor." – an excerpts from Frantz Fanon’s The Wretched of the Earth, which can be browsed in the bed, while a research board traces connections between archival fragments, political cinema, and the mythologies that form around them. Cinema becomes a space of collective encounter, where the reality of the screen meets the reality of its audience.
- installation
- archive
- research
- video
- 2012
Statement
The project was developed with Lena Siebertz as part of Living Archive – Archive Work as a Contemporary Artistic and Curatorial Practice (Arsenal Berlin, 2011–2013) and first presented in the exhibition NOW! (Extended) at Bethanien - Kunsthaus Kreuzberg, curated by Hito Steyerl.
Our research focused on the circulation of Álvarez’s film in West Germany and within the international left of the 1960s: the screenings, networks, and political encounters that formed around it. Starting from fragments and anecdotes found in the archive, we extended these stories through speculation and translated them into a situated installation. We asked the audience to lie in Dutschke’s bed as a method of speculative historiography.
The work reflects on film as a political instrument in the years around 1968 and asks what remains of that idea today. If cinema was once imagined as a weapon, the installation asks what remains of that promise today — and how images continue to circulate, leaving traces not on walls but in the political imaginations of their audiences.
Stills
Credits
- Kornelia Kugler and Lena Siebertz
Festivals & Screenings
- First exhibited at Bethanien - Kunsthaus Kreuzberg „NOW! (Extended). A Copy in Motion“, 2012
- Re-exhibited at Universität der Künste and KW - Kunstwerke Berlin, 2013
- Presented as part of the 13. Arsenal Summer School, 2022, THE UNIQUE OBJECT IN AN ERA OF UBIQUITY
- Part of the Living Archive Project by Arsenal - Institut für Film und Videokunst e.V. Berlin